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DSLR Video and its Impact on the Conventions in Filmmaking
Nuska, Petr ; Získal, Bohuš (advisor) ; Šlerka, Josef (referee)
The thesis deals with the involvement of digital single-lens reflex cameras (DSLR) with video-capturing capacity in documentary and ethnographic film, more particularly, it examines whether and to what extent these genres were influenced by a trend called DSLR revolution. The main contribution of the work is a qualitative analysis of the testimonies of ten filmmakers, who used DSLR cameras while working on their films during the years 2010-2014. The synthesis of this analysis is conceptualised as a reconstruction of the process of decision-making whether to use or not to use a DSLR camera, considering its benefits (affordability, technical and aesthetic qualities, compactness and simplicity) and its limits (ergonomics, visual artifacts, workflow limits). The reconstruction of this decision-making process is considered in the context of specific experiences of the participants and it focuses on the impact of DSLRs on filming workflow and final product. The final chapter deals with the DSLR revolution as a social trend which was stimulated by the influence of online communities of DSLR filmmakers who actively participated in the course of the revolution. Appendix of the thesis contains a brief description of the film projects of all participants and the model of the structured questionnaire used for data...
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A cultural studies perspective on the evolution of visual and audiovisual representations of indigeneous cultures.
Porybná, Tereza ; Matějů, Martin (advisor) ; Soukup, Václav (referee) ; Štoll, Martin (referee)
English Summary This dissertation primarily aims to synoptically place the theme of audiovisual representations of indigenous cultures within the context of cultural studies. With its interdisciplinary overlapping, the cultural studies approach is well suited to understanding the complex significance of visual representations of culture, which are both cultural artefacts and cultural interpretations and have an impact that is as artistic as it is scientific and political. The first part of the work describes the manner in which native cultures are audio-visually represented, especially in ethnographic photographs and films which emerged in the North American and European context. The mapping of "exotic others" intensified with the first modern overseas discoveries, first by means of exhibitions of living natives, illustrations and figurines, later through photographs, films and videos. These representations were significantly influenced by the socio-cultural conditions in which they arose. As late as the turn of the 20th century, there was a dominating conviction about the capability of photographs to present an objective record of reality. This technology was therefore used as an instrument for recording and classifying physical and cultural differences. The widespread acceptance of the doctrine of...
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Anthropological series: cognitive and semiotic models of culture
Durňak, Milan ; Skupnik, Jaroslav (advisor) ; Šavelková, Lívia (referee)
ANTROPOLOGICKÝ SERIÁL - Kognitívne a semiotické modely kultury Abstract /english version/: The author of the thesis has developed a methodological framework of visual anthropology by collecting relevant information concerning the subject and by verifying this knowledge practically in an authentic living environment. This interconnection represents the main twist in the methodology, which turns away from the informative and interpretative version of ethnographic (anthropological) film and moves towards its functional, socio-cultural analysis. The subject of the thesis is an interdisciplinary research and possibilities of applying cognitive and semiotic analytical schemes into the process of directing an anthropological series. The entire project of an authentic ethnographic research and the film tumenge (I., II., III.) attempt to display the interethnical relations in the village Palota in the North-East of Slovakia, particularly bringing the life in the local Roma settlement and its individual members into sharp focus.
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A cultural studies perspective on the evolution of visual and audiovisual representations of indigeneous cultures.
Porybná, Tereza ; Matějů, Martin (advisor) ; Soukup, Václav (referee) ; Štoll, Martin (referee)
English Summary This dissertation primarily aims to synoptically place the theme of audiovisual representations of indigenous cultures within the context of cultural studies. With its interdisciplinary overlapping, the cultural studies approach is well suited to understanding the complex significance of visual representations of culture, which are both cultural artefacts and cultural interpretations and have an impact that is as artistic as it is scientific and political. The first part of the work describes the manner in which native cultures are audio-visually represented, especially in ethnographic photographs and films which emerged in the North American and European context. The mapping of "exotic others" intensified with the first modern overseas discoveries, first by means of exhibitions of living natives, illustrations and figurines, later through photographs, films and videos. These representations were significantly influenced by the socio-cultural conditions in which they arose. As late as the turn of the 20th century, there was a dominating conviction about the capability of photographs to present an objective record of reality. This technology was therefore used as an instrument for recording and classifying physical and cultural differences. The widespread acceptance of the doctrine of...
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DSLR Video and its Impact on the Conventions in Filmmaking
Nuska, Petr ; Získal, Bohuš (advisor) ; Šlerka, Josef (referee)
The thesis deals with the involvement of digital single-lens reflex cameras (DSLR) with video-capturing capacity in documentary and ethnographic film, more particularly, it examines whether and to what extent these genres were influenced by a trend called DSLR revolution. The main contribution of the work is a qualitative analysis of the testimonies of ten filmmakers, who used DSLR cameras while working on their films during the years 2010-2014. The synthesis of this analysis is conceptualised as a reconstruction of the process of decision-making whether to use or not to use a DSLR camera, considering its benefits (affordability, technical and aesthetic qualities, compactness and simplicity) and its limits (ergonomics, visual artifacts, workflow limits). The reconstruction of this decision-making process is considered in the context of specific experiences of the participants and it focuses on the impact of DSLRs on filming workflow and final product. The final chapter deals with the DSLR revolution as a social trend which was stimulated by the influence of online communities of DSLR filmmakers who actively participated in the course of the revolution. Appendix of the thesis contains a brief description of the film projects of all participants and the model of the structured questionnaire used for data...
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